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EXHIBITION PROGRAMME 2011
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October 31st - November 11th  2011

Fingers Annual Group Show


Warwick Freeman bracelet

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PAGE 1   Brian Adam, Ruth Baird, Penelope Barnhill
PAGE 2   Ben Beattie, Rainer Beneke, Helen Britton, Joanna Campbell
PAGE 3   Nadene Carr, Barry Clarke, Octavia Cook, Ann Culy
PAGE 4   Mary Curtis, Andrea Daly, Peter Deckers, Jane Dodd
PAGE 5   John Edgar, Sharon Fitness, Warwick Freeman, Kath Inglis
PAGE 6   Lynn Kelly, Craig McIntosh, Peter McKay, Ross Malcolm
PAGE 7   Julia Middleton, Tatjana Panyoczki, Tania Patterson, Alan Preston
PAGE 8   Kvetoslava Flora Sekanova, Elfi Spiewack, Mia Straka, Lisa Walker
PAGE 9   Sarah Walker-Holt, Anna Ward, Jasmine Watson, Jessica Winchcombe


October 3rd - 21st  2011

Lauren Simeoni and Melinda Young
"Unnatural Tendencies"


Lauren Simeoni, Melinda Young

Australian jewellers Lauren Simeoni and Melinda Young have been working together on their 'unnatural' jewellery project since 2008. United by a love of frippery and fakery and a shared aesthetic sensibility, they share a sketchbook and materials whilst enjoying the creative stimulation and fruits of a long-distance collaboration between their hometowns of Adelaide and Sydney.

For Unnatural Tendencies, Simeoni and Young have drawn inspiration from a new collection of shared materials and also from the subtle, unnatural shifts between the inner suburbs of Auckland, Adelaide and Sydney – the botany, architecture and sensibilities at once so similar, yet slightly strange. Many of the pieces are a response to a long walk through Auckland's urban nature, where they sensed a 'wildness' not present in Australia, this has imbued this collection of adventurous new work with a sense of lushness, density and risk – developed and made through an unnatural filter of time and distance, it now makes a return to the site of its germination.
Lauren Simeoni and Melinda Young, 2011

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September 3rd - 17th  2011

Renee Bevan, Octavia Cook, Philippa Crane, Mia Straka
"Zeitgeist Shrapnel"

"Zeitgeist Shrapnel (a.k.a. the shopgirl show!) is where we are as makers in this place, at this time, right now, while reflecting on why people made contemporary jewellery when Fingers first opened 37 years ago."
Mia Straka, Octavia Cook, Philippa Crane, Renee Bevan, 2011

"When Fingers began in 1974 we were a group of people making jewellery. Some had more concerns with ideas in their work than others. 'Guaranteed Trash' in 1976 responded to the punk movement of the time. Shows such as 'Worn Out Art' in 1979 included visual artists and Daniel Clasby even wore a smoked fish as a necktie. Theme shows such as 'Bone' and 'Paua Dreams' in the 80's were largely material based however they did reflect the Zeitgeist of the time dealing with Aotearoa and Pacific identity. By 1989 'New Medals' was dealing with political issues.

Since those days some fine contemporary jewellers have graduated from Tertiary Visual Arts courses. I am delighted that the Fingers Shopgirls, all graduates from such courses, are honouring those early shows with 'Zeitgeist Shrapnel' moving on from the old and dealing with ideas from now."
Alan Preston, 2011

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Renee Bevan

Renee Bevan

Octavia Cook

Octavia Cook

Philippa Crane

Philippa Crane

Mia Straka

Mia Straka


August 22nd - September 2nd  2011

Julia Middleton
"(de) Compositions"


Julia Middleton, (de) Compositions

Julia Middleton, a recent graduate of Whitireia Polytechnic, explores the realm of abandoned technologies, offering up the dismantled structural remains of our precarious civilization.

Middleton takes inspiration from sources both empirical and cultural. Recent geophysical events in Christchurch, and worldwide, are referenced in the (de)structure of the pieces presented here. She hints at dereliction, of wreckage.

The pieces writhe and buckle. Metallic powders coat these artefacts suggesting ash or fallout, erosion and corrosion. The rings, like remnants of a long abandoned lunar mining colony, are contorted and aged, suggesting a kind of 'future past'. 'Con' is pure cultural criticism on a finger.

Middleton’s work is infused with a dark sense of humour and an uncanny newsworthiness.


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August 1st - 12th  2011

2011 Graduating Students Award

The annual Fingers Graduating Students Award is given to outstanding final year visual arts students specialising in Contemporary Jewellery. This year's exhibition features the most recent works from our four award winning graduates from 2010.

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Kvetoslava Flora Sekanova
Kvetoslava Flora Sekanova
Hungry Creek Art & Craft School
Sarah Walker-Holt
Sarah Walker-Holt
Manukau School of Visual Arts
Jessica Winchcombe
Jessica Winchcombe
Whitireia Polytechnic
Yang Zhang
Yang Zhang
Unitec School of Design

July 4th - 22nd  2011

The Dowse Gold Award Recipients Show


Lynn Kelly, Dowse gold award recipient

In 1998 Australian decorative arts patrons David and Barbara Thomas formed a partnership with the Dowse Art Museum in Lower Hutt to offer a unique opportunity for contemporary jewellery artists to explore the properties of this most precious material on a level not usually accessible to them, by establishing the Thomas Foundation Gold Award for Jewellery.

Now in its twelfth year, the award is offered biennially and is now funded by the Dowse Foundation. The prize consists of $4,000 in cash and $6,000 in gold, some of which is to be used to create the winning design which then becomes part of The Dowse collection.

In their selection the judges look for a design that demonstrates an understanding of gold in the fullest sense - technical and cultural, and the resulting collection of works in gold is both stunning and distinct to New Zealand.

The 'Dowse Gold Award' exhibition at Fingers will be the first time that this body of work has been shown in Auckland. Each of the five award recipients (Pauline Bern 2000, Joanna Campbell 2002, Kirsten Haydon 2004, Lynn Kelly 2007, and Areta Wilkinson 2009), have created a small body of work to sit alongside their winning entries, and in addition each participant has selected one other jewellery artist to exhibit with them, with choices based on personal inspiration, use of gold or themes discussing value.

The result is a diverse and exciting show of contemporary treasures by internationally renowned jewellers. The exhibition will commence with an opening from 2pm on Sunday the 4th of July, and will run till the 22nd of July.

Fingers gratefully acknowledges the generosity of The Dowse in making this exhibition possible.

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May 30th - June 10th  2011

Karl Fritsch
'ringe zu verkaufen'


Karl Fritsch, ringe zu verkaufen

"I am always very happy when I accidentally meet somebody wearing one of my rings. Usually it looks different than when it left me, and this is great. It lives with somebody and experiences incredible things. The ring wants people to try it on – for whichever reason – and even a collector or a museum curator won’t be able to resist it. The ring is curious and looks for curious wearers."
Karl Fritsch

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March 7th - 18th  2011

Ross Malcolm
'Home Sweet Home'


Ross Malcolm

'Fun with Flax'

"Spending time away from home recently has helped me develop some different ideas... One has been to investigate and use things in my immediate surrounds as starting points for new work.

'Fun with Flax' has manifested because I have a bush directly outside my kitchen window... it's in my face every day and I see it change through the seasons.

In summer, its earthy colours shift and mingle sometimes with a backdrop of bright washing on my clothesline... Tuis visit intermittently, adding a unique New Zealand touch to the palette. In winter, spent pods on high stalks flutter and dance in the wind.

These 'Fun with Flax' pieces have been made with found plastics, tin, resin, synthetic/linen threads and sterling silver. Coming to grips with new concepts and materials isn't always easy, but its good fun, plus, an added bonus if it works!"
Ross Malcolm, 2011

Malcolm left a career in construction to pursue his interest in contemporary jewellery, first studying then teaching at Manukau Institute of Technology. The jeweller's technical innovations result from comprehensive explorations into the possibilties of his chosen materials.

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February 7th - 18th  2011

Silke Trekel
Spatial Structures


Silke Trekel

"I am fascinated by level and spatial structures and their principles of arrangement. Discovering these and transforming them into jewellery is my artistic ambition. Associations with architecture and the microcosm of the plant world are visible in equal measure. Using just a few basic elements, I create room-filling, complex structures, whose charm lies in the balance between the simple, large form and the wealth of the detail in the small form - the finely chased ornament."
Silke Trekel, 2010

Silke Trekel received her early training in Germany under Professor Dorothea Prühl at the University of Art and Design, Halle. As well as receiving numerous awards in Germany and exhibiting widely in Europe and America, she has taught a masterclass at the London Royal College of Art and was Artist in Residence at the ISCP New York.

Her work is held in the A.I.R. Contemporary Jewellery Collection in Idar-Oberstein, the Marzee Collection in Nijmegen, the Victoria and Albert Museum, London, and the Museum of Arts and Design, New York.

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