CONTEMPORARY NEW ZEALAND JEWELLERYNovember 4 - 15, 2003Fingers Annual Group Show |
BRIAN ADAMSlingshots, prescription eyeglasses, titanium, $880 |
|
PAUL ANNEAR1 Square Brooch, sterling silver and 22ct gold, $1,950 |
|
ASHTON / BRIBIESCA1 Glitter Brooch, $66 |
|
RUTH BAIRD1 Crochet collar with moonstones and pearls, $700 |
|
PENELOPE BARNHILL1 Arum Lily Earrings, $130 |
|
BEN BEATTIE1 Pounamu Disc, $600 |
|
ZOYA BERI1 3 Islands Neckpiece, $640 |
|
PAULINE BERN1 Whisk Necklace, $420 |
|
JOANNA CAMPBELL1 Sequin Brooch, sterling silver and silk, $545 |
|
CHRIS CHARTERISNga Waka Pounamu Collar, $1,850 |
|
BARRY CLARKE1 Bird Over Kakanui Brooch, $350 |
|
ANN CULY1 Tapered Love Heart Ring, 22ct rose gold, $750 |
|
ANDREA DALYEx Voto Brooches, $350 each |
|
PETER DECKERSSet of three, $3,500 |
|
'Hand to Eye Coordination' "This series of work underlines the motivations behind discovery and fear. Symbolic claims have been used to commemorate one's beliefs. This catalyst has been the driving force of faith; with its blind belief in truth. The interior of these three works points towards that motives of faith and truth. The nail (crucifixion of Jesus) reflects the apprehension of cause and effect; the box with the two brooches the incentive. Choices over good or bad are executed through the use of the hand. I chose to make these works by my hand; somebody else chooses their hands to torture, somebody else to nurture. Choices of circumstances will cross our path every day and its judgement calls up through the eyes of the other.
The great beliefs of time have shifted from religion to science. The wait is until the two merge and that can only be through new scientific discovery." | |
JANE DODD1 Arabesque Ring, $340 |
|
JOHN EDGAR1 Disc 2003, Nephrite Jade, (New River, NZ), $440 |
|
"Over the last twenty five years of collecting and carving jade, some pieces were too precious to carve, either because of their rarity, their provenance or their exceptional beauty. Sometimes only large enough to make a small pendant, sometimes half or a whole boulder, I always put them aside to savour, thinking to carve them when I felt I was ready (or maybe not at all in some cases). Occasionally I carve one, usually for myself, family or friends, but rarely for sale.
These five amulets are all in that category. Their time has come. I have
really enjoyed carving them and they are hard to part with, but in
acknowledgment of those wondrous southern rivers, the stone histories, the
prospectors and their escapades, and my long relationship with Fingers, I
offer them for sale."
| |
ILSE-MARIE ERL1 Necklace Chain, $245 |
|
WARWICK FREEMAN1 Worm Brooch, gold lipped oyster shell, stg, $1,300 |
|
ELENA GEE1 Pendant, chrysocolla, resin, silver, $450 |
|
JASON HALL1 Red Heart, $200 |
|
ROY MASON1 Linear, 9ct white gold, $340 |
|
Koji Miyazaki1 Gingko Necklace, stg and 9ct gold, $1,295 |
|
Cherry Blossom Series:
"I enjoy the beginning of spring. It gives me new energy and joy to see this wonderful season. Gingko Series:
"The Gingko is a traditional tree in Japan. The Gingko's slow growth reflects years of history and represents a quintessentially Asian style. | |
SHELLEY NORTON1 Plastic Brooch, $220 |
|
TANIA PATTERSON1 Flower Brooch, $600 |
|
JUSTINE POLLOCK1 Elegant Drop Earrings, $160 |
|
ALAN PRESTON1 Cross Necklace, $695 |
|
TANYA ZOE ROBINSONJewel, sterling silver and ribbon, $790 |
|
JENNY STYLES1 Enchantment Brooch, $175 |
|
"My art is sensory, it deals with the body. This is done through placement as well as through materials. I aim for tension in my work created through the juxtaposition of materials or the way a piece interacts with the body. Jewellery is a physical medium and I want my work to be a physical experience. The three brooches of "Enchantment" are based on earlier works dealing with fantasy. The combination of materials, the claws, the tying and the wrapping contain as well as restrain and inherently protect all at the same time. However, what lies within still manages to seep and spill out in different ways and we are never sure why they are being held captive and whether they are worthy of escape. These relationships within the work are telling of the way we use fantasy to deal with aspects of life. We may repress certain things but fantasy acts as a catharsis for us and provides a 'safe' way to express a certain part of ourselves, while also allowing us to maintain the social status quo. These brooches have been a product of my own creative fantasy and catharsis.
"Rapture" (Choker) is a close fitting neckpiece, that when uncoiled is reminiscent of a whip with a glinting metal tip. The long piece of leather is sewn and bound together and worn wrapped tightly around the neck to sit like a choker. The metal point pokes out and is just visible through the coils of leather. The leather loops through a silver ring before it is wrapped around the neck. This looping through resembles a noose. Strung around the neck like this there is a long length of leather left loose that looks like it could be taken up and used to lead the wearer around. The piece then continues to wrap around the neck, tying, binding, restricting, protecting. The neck is a vulnerable part of the body and the way this piece is worn creates tension. Again this piece could be either shielding or controlling. It relies on the viewer to decide. | |
ARETA WILKINSONCarved Brooches, $450 each |
|
©ALL IMAGES COPYRIGHT FINGERS 2003© BACK TO TOP |